Kunst als interreligiöser Weg. Der Zyklus ,,Friedensnamen Allahs’’ von Ernst Degasperi 

(with Ernst Fürlinger) in Islam und religiöser Pluralismus: Grundlagen einer dialogischen muslimischen Religionstheologie. Ed. Ernst Fürlinger & Senad Kusur (Hg.), Beiträge zu einer Theologie der Religionen (Band 17), Zurich: Theologischer Verlag Zürich, 2019. 

The Relationship Between Form and Formlessness in Mandalas.
Interpreting the Aesthetic Power of Buddhist Mandalas on the basis of the philosophy of vāk in Trika 

PhD-Thesis, School of Arts & Aesthetics, Jawaharlal Nehru University, New Delhi 2008 

 Śūnya : Immanent and Transcendent.
Investigating Meanings of Void Through Art's Space.

in: Himanshu Prabha Ray (Ed.): Sacred Landscapes in Asia, New Delhi: Manohar 2007 

Aesthetics of Karunā, the Thousand Armed Avalokiteśvara

in: B. Bäumer et al. (ed.): Sahrdaya:  Studies in Indian and South East Asian Art in Honour of Dr. R. Nagaswamy. Tamil Arts Academy, Chennai, 2006

Dialogues Between Buddhism and Shaivism in Northwest India and Arts of Ancient Xinjiang. Their relevance to the arts of western Himalayas.

Paper for the international Seminar on "India, Central Asia and Turkey. Realities, Challenges and Options", Jamia Millia Islamia, New Delhi 2005

Sentiment of Sorrow an Its Sublimation in Korean Arts. Some important concepts in Korean arts in comparison with the Indian concepts of 'Tapas' and 'Rāsa'.

Paper for the "National Seminar on India and Asia: Aesthetic Discourse", Indian Institute of Advanced Study, Shimla 2004